A free ride to nowhere?

August 25th, 2011

I opened my analogue copy of The Observer at the weekend, and as is my habit I found myself in the culture section and looking a book reviews. My eye caught Evgeny Morozov’s review of Robert Levine’s book Free Ride, another the internet is killing culture book.

In fact the question is: Is online piracy and ubiquitous free content killing our culture? I believe we must always be open to divergent and different perspectives of the world. We must be prepared to see the world from anothers’ perspective. I do think this is at times a good question to ask.

Morozov writes: Levine’s call to arms – “it’s time to ask, seriously, whether the culture business as we know it can survive the digital age”

But then one has to ask the question for example is Fox News culture? meaningful culture, worthwhile culture. Rupert Mordoch famously said he would make Sky News in the UK more like Fox if he had his way. Just have a read about the delightful Roger Ailes that runs Fox. The mainstream media that presents information as truth that plays a key and important role in shaping the debate about our world, has been found wanting. Is this system worth preserving?

But I persisted with the review – some good points raised. However,

In a chapter subtitled “How the internet could kill Mad Men”, Levine frets about the future of cable television, seemingly unaware of the fact that, back in the 1960s, American broadcast networks did their best to wipe out the nascent cable industry, which survived only thanks to a ruling by the US supreme court. Had the judges followed Levine’s conservative logic, a more fitting subtitle would be “How the networks aborted the parents of Mad Men”.

And how many times have incumbents fought bitterly and viciously to stop others. The telegraph versus the telephone for example. Morozov goes on…

Are new technologies really that much of a threat to the culture industry? Google TV – one of the projects Levine lists among the greatest threats to cable television – seems dead on arrival; at the moment, product returns outnumber sales. According to a recent survey by BookStats, in 2011 the publishing industry earned nearly 6% more revenue than in 2008, while selling 4% more books – in part, thanks to ebooks. The global march of streaming services such as Netflix and Spotify has made piracy less appealing.

None of this excites Levine, who complains that the internet has not encouraged innovation. “Like TV, the internet is only as good as what’s on,” he writes. Statements like this underscore the danger of setting internet policy based on the interests of the content industry alone. For those in this group, the internet is merely TV on steroids – its impact on the Arab spring, economic and human development and the future of learning be damned.

I arrived at the conclusion that Levine is representative of a certain form of market fundamentalism – and this fundamentalism is dangerous. Born out of not understanding, not wanting to understand. An arrogance about what is “culture” and who has the right to create it. He sees markets not as cultural but purely economic, he sees people only as consumers. Culture in his view, and people that he represents, see “culture” as a means to extract money from people. Simple. As the economist John Kay wrote,

“Capitalists are capitalism’s worst enemy, and particularly the market fundamentalist tendency which has been in the ascendant for the last 20 years”

For me, and Morozov saves it for last, is that in “Levines opinion James Murdoch was a saviour of Journalism.” The same James Murdoch who may have perjured himself, who along with his father owned a newspaper that in its quest for monetary gain, hacked into the voice mails of dead children, to get “the edge” on their rivals in the tabloid newspaper wars. If that is what Levine thinks is culture, then God help us all.