Comments on: The future not by TV but by broadband http://smlxtralarge.com/2008/12/16/the-future-not-by-tv-but-by-broadband/ From Interruption to Engagement - Engagement Marketing principles from Alan Moore Thu, 09 Sep 2010 09:35:32 +0000 hourly 1 http://wordpress.org/?v=3.0.1 By: Alan Moore http://smlxtralarge.com/2008/12/16/the-future-not-by-tv-but-by-broadband/comment-page-1/#comment-1952 Alan Moore Wed, 17 Dec 2008 17:12:36 +0000 http://smlxtralarge.com/?p=2639#comment-1952 Dear Colin, We have blogged and talked about Kate Modern. Switch sounds very interesting. If you can point me towards more info about Switch, I would be grateful. Thanks for posting Alan Dear Colin,

We have blogged and talked about Kate Modern. Switch sounds very interesting.

If you can point me towards more info about Switch, I would be grateful.

Thanks for posting

Alan

]]>
By: Alan Moore http://smlxtralarge.com/2008/12/16/the-future-not-by-tv-but-by-broadband/comment-page-1/#comment-1951 Alan Moore Wed, 17 Dec 2008 17:04:22 +0000 http://smlxtralarge.com/?p=2639#comment-1951 Dear Rebecca, Thank you for your thoughts, interesting challenges, perhaps we should discuss over a beer? You are always welcome Thanks for posting Alan Dear Rebecca,

Thank you for your thoughts, interesting challenges, perhaps we should discuss over a beer?

You are always welcome

Thanks for posting

Alan

]]>
By: Colin Donald http://smlxtralarge.com/2008/12/16/the-future-not-by-tv-but-by-broadband/comment-page-1/#comment-1949 Colin Donald Wed, 17 Dec 2008 10:28:07 +0000 http://smlxtralarge.com/?p=2639#comment-1949 Alan – It's true that online shows have enormous potential, both creatively and commercially. Yet contrary to the US slant of the original Observer article, much of the innovation is taking place here in the UK. In only the last 12 months, Bebo has become an alternative source of commissioning to the broadcasters, with shows funded by product placement. Embedding a comedy or drama within a social network enables all kinds of new relationships between the fiction and the people that we currently call the audience. For instance, many Bebo shows have live events where Beboers can join in the action. KateModern had people take part in a real-life treasure hunt, while the music-based drama The Secret World Of Sam King put on a concert. Other new formats are being commissioned by the BBC, particularly the teen multiplatform service BBC Switch. To Be Continued is a drama where Switch started the story and provides tools for young actors, writers and directors to collaborate online on further episodes. Some indie production companies are taking the plunge, funding their own series and taking them to market, as Channel X did with the comedy Chelsey: OMG! And some adventurous advertisers are similarly backing original productions, either via product placement deals or fully funding shows, as with Nokia’s Somebody Else's Phone. Online shows do have a fascinating future in store for all of us and anyone who's interested in following the Web show market is cordially invited to visit our blog on it at www.futurescape.co.uk Alan – It’s true that online shows have enormous potential, both creatively and commercially. Yet contrary to the US slant of the original Observer article, much of the innovation is taking place here in the UK.

In only the last 12 months, Bebo has become an alternative source of commissioning to the broadcasters, with shows funded by product placement. Embedding a comedy or drama within a social network enables all kinds of new relationships between the fiction and the people that we currently call the audience.

For instance, many Bebo shows have live events where Beboers can join in the action. KateModern had people take part in a real-life treasure hunt, while the music-based drama The Secret World Of Sam King put on a concert.

Other new formats are being commissioned by the BBC, particularly the teen multiplatform service BBC Switch. To Be Continued is a drama where Switch started the story and provides tools for young actors, writers and directors to collaborate online on further episodes.

Some indie production companies are taking the plunge, funding their own series and taking them to market, as Channel X did with the comedy Chelsey: OMG! And some adventurous advertisers are similarly backing original productions, either via product placement deals or fully funding shows, as with Nokia’s Somebody Else’s Phone.

Online shows do have a fascinating future in store for all of us and anyone who’s interested in following the Web show market is cordially invited to visit our blog on it at http://www.futurescape.co.uk

]]>
By: Rebecca Caroe http://smlxtralarge.com/2008/12/16/the-future-not-by-tv-but-by-broadband/comment-page-1/#comment-1945 Rebecca Caroe Tue, 16 Dec 2008 13:40:03 +0000 http://smlxtralarge.com/?p=2639#comment-1945 Alan - sigh, yes only broadband can deliver a networked society. I am working with #Amp08 Amplified aiming to make the UK the most networked economy in the world by 2010, it's an uphill struggle. Here are the main issues 1 - how to broadband the "un-broadbanded" 2 - teaching collaboration skills in school 3 - enabling more public services through the internet 4 - how to get the internet on your TV / mobile [I think mobile more likely in the short term] Rebecca Alan – sigh, yes only broadband can deliver a networked society. I am working with #Amp08 Amplified aiming to make the UK the most networked economy in the world by 2010, it’s an uphill struggle.

Here are the main issues
1 – how to broadband the “un-broadbanded”
2 – teaching collaboration skills in school
3 – enabling more public services through the internet
4 – how to get the internet on your TV / mobile [I think mobile more likely in the short term]

Rebecca

]]>